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Matt

Matt
January 23, 2015

NAMM 2015 – Hot New Products!

Winter NAMM 2015 is upon us and there have a been a slew of new products showing their faces in just the first day! Great new things from Arturia, Focusrite, PreSonus, and Line 6 just to name a few. We will be going over a few of the new products that have been revealed at NAMM to give you a quick peak at the news items to hit shelves later this year.

Focusrite

Clarett Series Interfaces

Focusrite has debuted their new line of interfaces, The Clarett range. Spanning the product line there is the Clarett 2 Pre, Clarett 4 Pre, Clarett 8 Pre and the Clarett 8 Pre X. Now, these are all Thunderbolt only devices so make sure you have a Thunderbolt port before you think about buying one of these puppies. The Thunderbolt connection also ensures the interface latency will be under 1ms. That’s impressive. …

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Taylor

Taylor
January 26, 2014

NAMM 2014 | Arturia BeatStep

Arturia have been impressing us consistently from the Spark and SparkLE controllers to their foray into the analog synthesizer market with the MiniBrute and MicroBrute. Their products are incredibly inexpensive which makes them a great go to brand for a great mix of quality, reliability, and affordability. Their latest addition to the line is a sequencer controller dubbed the Arturia BeatStep.

With sixteen pads and sixteen knobs, all of which are completely assignable to nearly any DAW, you can have total control over your software and DAW controls. It includes MIDI, USB, and CV connectivity making it a very versatile controller. With a street price of $99 and a March release date, you can expect many folks to be talking more about this throughout the year. Check out the video above where Rebecca from Arturia walks us through the features on the BeatStep and let us know what you think …

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Taylor

Taylor
January 3, 2014

Our 10 Picks for Best Music Tech of 2013

There were a lot of great new musical instruments, audio software developments, and music technology that came out this year. As NAMM 2014 approaches, we wanted to take a retrospective look at some of our favorite releases from the past year. While this is not an exhaustive list, and there were certainly some things that got left off, we encourage you to post your amendments in the comments below so we can all revel in all of the great releases of 2013. As we gear up to cover all the secret new products from NAMM 2014, here are our top 10 picks of 2013 in no particular order.

Ableton Push & Ableton Live 9

Arguably one of the top releases this year was the Ableton Push controller as well as the update to Ableton Live 9. The Push controller was one of the most talked about pieces at Winter …

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Taylor

Taylor
November 15, 2013

Mini Synthesizers: It’s a Small World After All

It was only a couple years ago that we saw an explosion of DJ related equipment, especially within the DJ controller market. This trend coincided with the rise of EDM culture and performance across the globe with nearly anyone with some cash and motivation learning to DJ and getting gigs right away. This hasn’t gone away necessarily but the initial high of this DJ over saturation has worn off in a big way. Electronic music is as popular as it has ever been, but a lot of DJs are seeing that their longevity is dependent upon producing their own music. More and more people are becoming or are already aware of the tools used to make popular and even more esoteric electronic music and they want to gain access to those tools in an affordable way. Couple that with the rise of the portability ideology and you have a new …

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Taylor

Taylor
September 17, 2013

Review – Arturia’s SparkLE and Spark version 1.7

So, I’ll be the first person to tell you I’m a hardware guy. I don’t “do” purism, and you’ll get my computer out of my studio ONLY if you are handing me a newer/bigger/better one. However, when it comes to sound, my computer mainly amounts to being the editing and summing facility. In that arrangement, my computer is where effects are applied and things are locked in. I do it for a few reasons, among them being that I love not even worrying about my CPU load once during the course of very dense productions. That said, as much as I can appreciate a good software instrument, I typically would rather have the hardware equivalent any day. That’s why I was deeply troubled this past January when I was watching Arturia’s Mike Hoska bang out some of the best sounding beats I’d heard from hardware or software from a little …