January 27, 2014
Korg had an interesting showing this year at Winter NAMM 2014 from the more niche oriented build-it-yourself MS-20 to the teeny tiny baby grand pianos. They also had showings like the new keyboard controller the Korg Triton taktile. But one thing that stopped us in our tracks was a reissue of the classic Korg keytar. The RK-100S looks and sounds great with plenty of control via the keys as well as two separate, assignable ribbon controls.
With the same modeling engine as the MicroKorg XL, you have plenty of options for sounds. You can have analog modeling, digital synthesis and PCM sounds. The RK-100S also acts like a controller and can connect via MIDI out and USB. There is also a connection for a microphone for use as a vocoder. With colors ranging from red featured in the video above to black and white versions, you can pick a design that …
January 3, 2014
There were a lot of great new musical instruments, audio software developments, and music technology that came out this year. As NAMM 2014 approaches, we wanted to take a retrospective look at some of our favorite releases from the past year. While this is not an exhaustive list, and there were certainly some things that got left off, we encourage you to post your amendments in the comments below so we can all revel in all of the great releases of 2013. As we gear up to cover all the secret new products from NAMM 2014, here are our top 10 picks of 2013 in no particular order.
Ableton Push & Ableton Live 9
Arguably one of the top releases this year was the Ableton Push controller as well as the update to Ableton Live 9. The Push controller was one of the most talked about pieces at Winter …
November 15, 2013
It was only a couple years ago that we saw an explosion of DJ related equipment, especially within the DJ controller market. This trend coincided with the rise of EDM culture and performance across the globe with nearly anyone with some cash and motivation learning to DJ and getting gigs right away. This hasn’t gone away necessarily but the initial high of this DJ over saturation has worn off in a big way. Electronic music is as popular as it has ever been, but a lot of DJs are seeing that their longevity is dependent upon producing their own music. More and more people are becoming or are already aware of the tools used to make popular and even more esoteric electronic music and they want to gain access to those tools in an affordable way. Couple that with the rise of the portability ideology and you have a new …
November 29, 2012
Some of the more classic examples of synthesizer use can be found in old pop music videos. When Gary Numan produced hits like “Are Friends Electric?” and “Cars” the music world was taken by storm, and seeing musicians on stage activating instruments with the press of a key (snare hits etc.) was shocking, to say the least. Many analog musicians (guitarists, drummers, pianists) were slightly upset – knowing that their talent was being replaced by a digital machine. Synthesizers of that era were not capable of doing more than one thing at a time, nor where they capable of looping and sequencing.
When the Korg Polysix was invented, it was considered a major achievement for synth users. Of course, it was also a massive beast that out-sized and outweighed a fully-loaded turntable coffin. In recent years, the Polysix was ported to the desktop computer and once again became adored by …
November 29, 2012
If you’re looking for some peripherals to add to your current DAW setup, the options are almost unlimited. Well, not unlimited, but there’s an awful lot of products to choose from; many of them doing the same thing as another, and some of them combing specific function of more than one controller. In a production environment, most of your effects will be triggered internally with the help of some clever midi or key mapping. The problem is that these devices cannot do the same thing for a live performance without the help of a computer. There are also effects units like the Kaoss Pad 3 that can affect live audio, but will do little to help you on the production end.
One bright producer has found a way to get the most bang out of your buck. He uses the low priced Korg NanoPad along with Ableton to simulate everything …