PRO AUDIO
Taylor

Taylor
August 28, 2014

Waves 2014 Labor Day Sale

Waves Software, the company responsible for some of the most frequently used production and live sound plugins, are dropping prices on all of their software plugins. The sale starts today, August 28th, and ends Monday September 1st. The savings are multiplied with the more plugins you purchase. You get 20% off when you purchase 2 plugins, 25% off when you buy 3 plugins, and 30% off for buying 4 plugins or more. This is great for those of you only looking for a couple of the outstanding and popular plugins such as Aphex Vintage Aural Exciter, the Kramer Master Tape, or the H-EQ Hybrid Equalizer.

The discount does not apply to entire bundles like the Mercury or Diamond Plugin Bundles. The advantage to that is you can pick and choose the plugins that you need and get a great discount, without having to purchase the entire …

PRO AUDIO
Taylor

Taylor
November 21, 2013

Presonus Sceptre S6 Studio Monitor Review

It seems like every major pro audio manufacturer has a studio monitor within their product catalog, so how are you supposed to know which ones are the best? If you are mixing and making music professionally or even doing it for fun, then you really want the flattest response possible. It seems that more and more consumers want to get the studio monitor that’s going to have the best response for mixing down a final piece of content, whether that be your pet project or your professional work. With all of these options out there and everyone claiming to have the best on the market, how do we decide which ones to get?

One contender that debuted earlier this year was the Presonus Sceptre S6 Studio Reference Monitors. When I initially saw them on the NAMM show floor I was a little skeptical of the design until I read more …

PRO AUDIO
MOBILE STUDIO
Taylor

Taylor
November 12, 2012

In the Studio with Miles Walker: Yamaha Studio Monitors

We sat down with mix engineer Miles Walker at Parhelion Studios and we talked about everything from how he mixes tracks to the gear he uses in his studio. If you are not familiar with Miles, check out our interview with him.

In this video Miles goes over the reasons he uses the Yamaha NS10 studio monitors. For Miles, as well as most people that do studio production, its all about how well you know your monitors and how comfortable you feel when mixing. When using passive monitors like the NS10s, its often difficult to find a quality amplifier that can power passive monitors and many companies have abandoned passive studio monitor systems and replaced them with active studio monitors.  The Yamaha HS80 studio monitors are a great example of an active studio monitor that works great for production.

What studio monitors are the best for your production? Which studio …

PRO AUDIO
MOBILE STUDIO
Taylor

Taylor
November 2, 2012

Rob Zombie Live Engineer Joel Lonky Talks Midas Pro 9 and Waves Plugins

Joel Lonky, front of house engineer for Rob Zombie on the Twins of Evil Tour, gave us an exclusive look into how he integrates the extensive set of Waves Multirack Live Sound Host and Plugins when using the Midas Pro 9 Live Audio System. Joel has an extensive pedigree of doing front of house sound for some of the world’s biggest live acts including Rage Against The Machine, Maroon 5, Cypress Hill, and Collective Soul just to name a few. While working with Rob Zombie in 2010 Joel switched over to a Midas Pro 6 console mid tour and has never looked back. The Midas Pro series has been his go to mixing console throughout the touring years and he is currently using their biggest and baddest model, the Midas Pro 9 Live Audio System.

While the system Joel uses is as he says “truly plug and play,” there are a …

NEWS
UniqueSquared

UniqueSquared
September 7, 2012

I’m A Pro DJ, But I’ve Never Felt The Need To Mix

“Program” DJing is a relatively new, but successful phenomenon in the working DJ arena.  It works something like this: The DJ loads a preset list of tunes they’d like to play next, and employ their DVS (usually Virtual DJ) to handle the typical 4 bar linear mix – leaving the DJ with little responsibility other than song selection and mix out effects.

Naturally, DJs of this form take heat from “mixing” DJs who put serious effort into the transitional phases of their set.  To the “program” DJ, song selection and crowd interaction are their main focus – often leaving the booth to have a drink with the crowd or to dance on the floor with them.

Does “programming” deride the art of DJing?  The polarization over this issue will not be going away any time soon.…