December 12, 2012
inMusic, the parent company that owns Numark, Alesis, and Akai, has been pretty busy this year. All three of their leading companies have been releasing much of the gear featured at Winter NAMM 2012 and teased through YouTube videos and company press releases. Gear like the Numark 4TRAK, the Alesis QX line of MIDI keyboard controllers, and the very popular Akai Synthstation 49 and MPC Renaissance. In addition to releasing tons of new gear this year they also acquired formerly AVID owned M-Audio to round out their line of professional audio equipment. We will likely see more from inMusic this year at Winter NAMM 2013 in January and we will have plenty to report from the show room floor.
We first saw the Akai MAX 49 almost a year ago at Winter NAMM 2012 and our first impression was that the MAX 49 was a collection of improvements …
December 7, 2012
In our last piece of exclusive content on the Moog Minitaur and Moog Moogerfooger pedals, Amos showed off how to integrate multiple analog synthesizers into your performance or production. This time Amos shows off the control voltage functionality on the Moogerfooger pedals. For those of you already familiar with control voltage and its applicable uses, you can watch the video to see how Amos uses CV with the Moogerfooger pedals. For those of you unfamiliar with control voltage, here is a brief explanation:
Control Voltage Explained
Voltage is the measurement of how much power is passing through a circuit. Control voltage is typically used to control the pitch or the parameters of an analog synthesizer. This varies in application based on the type of electronic device you are using. For example when voltage is increased on an amplifier it increases the volume. Control voltage for analog synthesizers is used to control the …
December 5, 2012
In the third and final installment of our interview with Miles Walker, we wanted Miles to give us his perspective and potential advice for the budding producer or mix engineer. There are certain pitfalls that a producer can fall into when making a track and often times the help of a mix engineer, or someone working outside of the inception to almost complete process, is advantageous. We similarly asked Le Castle Vania about what advice he would give to artists and producers who are trying to make a career out of making music. Check out both blogs and videos to get an idea of the similarities and differences of advice coming from a producer who does a lot of performing, and a producer who works predominately in the studio.
Miles also talks about the Presonus FaderPort and how useful it can be when working in the studio. The Presonus FaderPort is a a transport controller with …
November 12, 2012
We sat down with mix engineer Miles Walker at Parhelion Studios and we talked about everything from how he mixes tracks to the gear he uses in his studio. If you are not familiar with Miles, check out our interview with him.
In this video Miles goes over the reasons he uses the Yamaha NS10 studio monitors. For Miles, as well as most people that do studio production, its all about how well you know your monitors and how comfortable you feel when mixing. When using passive monitors like the NS10s, its often difficult to find a quality amplifier that can power passive monitors and many companies have abandoned passive studio monitor systems and replaced them with active studio monitors. The Yamaha HS80 studio monitors are a great example of an active studio monitor that works great for production.
What studio monitors are the best for your production? Which studio …
October 30, 2012
In this overview we cover the features of the Casio XW-P1. The XW-P1 is one of Casio’s latest professional synthesizers and comes loaded with all kinds of cool features. But let’s start with the basics. There are 61 semi-weighted keys on this unit. Two large transpose buttons give you easy access to five different octaves. The P1 has all of the standard PCM voices you expect from any synthesizer both sampled and synthesized. You’ve got your piano, brass, strings, and some great drum sounds. Four large assignable knobs control of some basic filters and envelopes on each of those voices by default.
But there’s a lot more going inside the brain. You’ve got your sine, triangle, sawtooth, ramp, pulse width, hard sync, etc. waveforms with many variations including waves like sub-octave sine. You can layer them as well, so if you layer a bunch of sine waves, you can do …