Audix DP7 - Seven Piece Drum Microphone Kit w/ 7 XLR Cables and Mini Boom Stand

Audix DP7 - Seven Piece Drum Microphone Kit w/ 7 XLR Cables and Mini Boom Stand

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$934.00

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The Audix DP7 - Seven Piece Drum Microphone Kit Plus 7 XLR Cables is perfect for detailed close miking the entire drum kit for studio recording and live sound applications. Audix drum microphones are quickly becoming the go to choice for professionals. Enjoy this value added bundle and buy today from UniqueSquared.com
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Description Audix D6

Designed, machined, assembled and tested by Audix in the USA, the D6 is a dynamic instrument microphone used for stage, studio and broadcast applications. The D6, which is characterized with a cardioid pickup pattern for isolation and feedback control, is equipped with a VLM (Very Low Mass) diaphragm for natural, accurate sound reproduction.

The D6 is lightweight, compact and easy to position. With a wide frequency response of 30 Hz - 15 kHz and the ability to handle sound pressure levels in excess of 144 dB, the D6 is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drum, large toms, and bass cabinets.

Roadworthy construction includes a precision machined aluminum body, black anodized finish, laser etched model and serial number, steel mesh grill, Switchcraft XLR connector.

Transformerless design, low impedance, and balanced output allow for interference-free performance even with long cable runs.

Applications
  • Live stage, recording
  • Kick drum
  • Floor tom
  • Bass cabinets
  • Leslie bottom
OPERATION:

The D6 is a low impedance microphone and should be plugged into a mic level of your console, mixer, or recording device. Please note that your microphone does not require phantom power and will not be effected in any way by phantom power should it be running simultaneously while the microphone is in operation. Avoid plugging or unplugging the microphone from the PA system unless the channel is muted or the volume of the system turned down. Failure to do so may result in a loud popping noise which could seriously damage the speakers in the PA system.

USER TIPS:

The D6 compensates for instruments with extremely high sound pressure levels by having a very low output stage. For kick drums, as a general rule, start with the mic positioned centered inside the middle of the drum pointed towards the beater. For more attack, and less bass boom, move the mic closer to the beater. For less attack and more bass, move the mic further away from the beater. For kick drums without hole in front head, place the D6 a few inches from the head for a large dynamic sound. For toms, position the mic 2 inches from the head and point towards the center of the drum. For bass cabinets, position the mic 90 degrees to the grill cloth and 1-2 inches inside the edge of the speaker.

i5 for snare

Designed, assembled and tested by Audix in the USA, the i5 is a dynamic instrument microphone used for stage, studio and broadcast applications. The i5 is able to handle sound pressure levels in excess of 140 dB without distortion and can be used to mic a wide variety of musical instruments, guitar and bass cabinets, vocals and speech.

The i5 is characterized with a cardioid pickup pattern for isolation and feedback control and is equipped with a VLM (Very Low Mass) diaphragm for natural, accurate sound reproduction.

The i5 is sturdy, compact and easy to position. With a wide frequency response of 50 Hz - 16 kHz, the i5 provides clear, accurate, natural sound reproduction without having to rely on EQ. Roadworthy construction includes a precision cast zinc alloy body, steel grill, black e-coat finish, laser etched model and serial number, Switchcraft XLR connector.

Applications
  • Live stage, recording
  • Snare, toms, percussion
  • Guitar cabinets, electric instruments
  • Brass, flute, woodwinds
  • Acoustic instruments
  • Vocals, speech
OPERATION:

The i5 is a low impedance microphone and should be plugged into a mic level input on your console, mixer, or recording device. Please note that your microphone does not require phantom power and will not be effected in any way by phantom power should it be running simultaneously when the microphone is in operation. Avoid plugging or unplugging the microphone from the PA system unless the channel is muted or the volume of the system turned down. Failure to do so may result in a loud popping noise which could seriously damage the speakers in the PA system.

USER TIPS:

The i5 has a tight (cardioid) pick-up pattern in order to help eliminate sound from other instruments on stage from bleeding into the microphone. For this reason, it the i5 is exceptionally effective for drums and percussion in be able to capture the sound of each component of the kit.

Snare: Start with the i5 about 2 inches above the head and aimed towards the center of the drum. For more rim effect, the i5 can be aimed less towards the center and more towards the rim. It is not uncommon for engineers to place the mic practically right on the drum head to achieve a very tight, cracking sensation.

Toms, congas: Similar to snare. For tighter sound and more attack place, the mic closer to the head. For more decay and overtones pull the mic further away from the head.

Guitar cabs: The i5 can be placed within 1-2 inches of the grill cover at a 90 degree angle pointing directly into the speaker. If the mic is placed closer to the edge of the speaker, you will minimize the higher frequencies and get a warmer, fatter tone. To capture more highs, move the mic closer towards the center of the speaker, but avoid the middle of the speaker.

Horns: Place the mic within 1-3 inches of the bell, especially when on a stage with drums, bass, guitar, etc. For jazz, classical, and music where the stage volume is lower, the mic can be placed further away for a richer, fuller, sound.

Allow a distance of 2-3 feet between microphones to avoid phase cancellation issues.

(2) Two x D2s for toms

For bringing out the real, dynamic sound of your drum toms and congas, nothing beats the D2! The D2 accurately reproduces the warmth and punch you listen for from percussion, leaving out the muddy, indistinct boom that can mar recording. The D2's natural warmth also makes it a great mic for saxophones and other woodwinds requiring a true, sensitive, yet big, reproduction.

D4 for floor tom

Make sure your sound's low-end has that propulsive kick! The D4 really puts that extra oomph in your kick drum, bass amp, and other low instruments thanks to its flat, linear response. Since this kit comes with the D6, Audix's premier kick drum mic, a good application for the D4 with this kit would be the floor tom.

Samson MB1 Mini Boom Stand

The ideal low profile boom stand for miking drums, speakers and anything close to the floor.

  • Perfect for micing kick drums and speaker cabinets
  • Heavy-duty adjustable boom mic stand
  • Die-cast and steel construction
  • Mic clip included
SKU AUD-DP7-KIT02
MPN DP7
Features

The DP5a, which is identical to the DP7 except for the condenser mics, is a perfect compliment of microphones for a 5 piece kit. All mics perform equally well whether it be on a live stage or in the studio.

Included in the DP5a drum mic package is the D6, Audix's flagship kick drum mic, two- D2's for rack toms, one D4 for floor tom, and the i5 for snare.

Also included are four D-Vice rim mount clips for every mic except the D6 kick drum mic, which comes with a heavy duty tension fit mic clip. Everything is conveniently packaged in a foam-lined aluminum carrying case road case for safe keeping when the mics are not in use.

  • All-in-one solution for miking drums
  • Instrument-specific mics for optimal results
  • Rugged Audix quality
  • Great for stage and studio
  • Dflex clips for easy positioning
  • Road case
Specifications
Audix D6
Type
Dynamic
Polar Pattern
Cardioid
Frequency Response
30Hz - 15kHz
Impedence
200 ohms
Sensitivity
@ 80Hz 0.8 mV/Pa
i5 for snare
Type
Dynamic
Polar Pattern
Cardioid
Frequency Response
50Hz - 16kHz
Impedence
150 ohms
Sensitivity
@1k 1.5 mV/Pa
Package Contents
  • (1) D6 for kick drum
  • (1) i5 for snare
  • (2) D2s for toms
  • (1) D4 for floor tom
  • (2) ADX51 condensers for overheads
  • (4) DVICE gooseneck clips
  • (1) Hard Carry Case
Bonus:
  • (5) 20' XLR (Male to Female) Cable
  • (1) Mini Boom Mic Stand
Warranty Details Warranty Information
Product: Period:
Audix DP5a Drum Kit 1 Year
Samson MB1 Stand 3 Year
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Rating

Description

Description Audix D6

Designed, machined, assembled and tested by Audix in the USA, the D6 is a dynamic instrument microphone used for stage, studio and broadcast applications. The D6, which is characterized with a cardioid pickup pattern for isolation and feedback control, is equipped with a VLM (Very Low Mass) diaphragm for natural, accurate sound reproduction.

The D6 is lightweight, compact and easy to position. With a wide frequency response of 30 Hz - 15 kHz and the ability to handle sound pressure levels in excess of 144 dB, the D6 is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drum, large toms, and bass cabinets.

Roadworthy construction includes a precision machined aluminum body, black anodized finish, laser etched model and serial number, steel mesh grill, Switchcraft XLR connector.

Transformerless design, low impedance, and balanced output allow for interference-free performance even with long cable runs.

Applications
  • Live stage, recording
  • Kick drum
  • Floor tom
  • Bass cabinets
  • Leslie bottom
OPERATION:

The D6 is a low impedance microphone and should be plugged into a mic level of your console, mixer, or recording device. Please note that your microphone does not require phantom power and will not be effected in any way by phantom power should it be running simultaneously while the microphone is in operation. Avoid plugging or unplugging the microphone from the PA system unless the channel is muted or the volume of the system turned down. Failure to do so may result in a loud popping noise which could seriously damage the speakers in the PA system.

USER TIPS:

The D6 compensates for instruments with extremely high sound pressure levels by having a very low output stage. For kick drums, as a general rule, start with the mic positioned centered inside the middle of the drum pointed towards the beater. For more attack, and less bass boom, move the mic closer to the beater. For less attack and more bass, move the mic further away from the beater. For kick drums without hole in front head, place the D6 a few inches from the head for a large dynamic sound. For toms, position the mic 2 inches from the head and point towards the center of the drum. For bass cabinets, position the mic 90 degrees to the grill cloth and 1-2 inches inside the edge of the speaker.

i5 for snare

Designed, assembled and tested by Audix in the USA, the i5 is a dynamic instrument microphone used for stage, studio and broadcast applications. The i5 is able to handle sound pressure levels in excess of 140 dB without distortion and can be used to mic a wide variety of musical instruments, guitar and bass cabinets, vocals and speech.

The i5 is characterized with a cardioid pickup pattern for isolation and feedback control and is equipped with a VLM (Very Low Mass) diaphragm for natural, accurate sound reproduction.

The i5 is sturdy, compact and easy to position. With a wide frequency response of 50 Hz - 16 kHz, the i5 provides clear, accurate, natural sound reproduction without having to rely on EQ. Roadworthy construction includes a precision cast zinc alloy body, steel grill, black e-coat finish, laser etched model and serial number, Switchcraft XLR connector.

Applications
  • Live stage, recording
  • Snare, toms, percussion
  • Guitar cabinets, electric instruments
  • Brass, flute, woodwinds
  • Acoustic instruments
  • Vocals, speech
OPERATION:

The i5 is a low impedance microphone and should be plugged into a mic level input on your console, mixer, or recording device. Please note that your microphone does not require phantom power and will not be effected in any way by phantom power should it be running simultaneously when the microphone is in operation. Avoid plugging or unplugging the microphone from the PA system unless the channel is muted or the volume of the system turned down. Failure to do so may result in a loud popping noise which could seriously damage the speakers in the PA system.

USER TIPS:

The i5 has a tight (cardioid) pick-up pattern in order to help eliminate sound from other instruments on stage from bleeding into the microphone. For this reason, it the i5 is exceptionally effective for drums and percussion in be able to capture the sound of each component of the kit.

Snare: Start with the i5 about 2 inches above the head and aimed towards the center of the drum. For more rim effect, the i5 can be aimed less towards the center and more towards the rim. It is not uncommon for engineers to place the mic practically right on the drum head to achieve a very tight, cracking sensation.

Toms, congas: Similar to snare. For tighter sound and more attack place, the mic closer to the head. For more decay and overtones pull the mic further away from the head.

Guitar cabs: The i5 can be placed within 1-2 inches of the grill cover at a 90 degree angle pointing directly into the speaker. If the mic is placed closer to the edge of the speaker, you will minimize the higher frequencies and get a warmer, fatter tone. To capture more highs, move the mic closer towards the center of the speaker, but avoid the middle of the speaker.

Horns: Place the mic within 1-3 inches of the bell, especially when on a stage with drums, bass, guitar, etc. For jazz, classical, and music where the stage volume is lower, the mic can be placed further away for a richer, fuller, sound.

Allow a distance of 2-3 feet between microphones to avoid phase cancellation issues.

(2) Two x D2s for toms

For bringing out the real, dynamic sound of your drum toms and congas, nothing beats the D2! The D2 accurately reproduces the warmth and punch you listen for from percussion, leaving out the muddy, indistinct boom that can mar recording. The D2's natural warmth also makes it a great mic for saxophones and other woodwinds requiring a true, sensitive, yet big, reproduction.

D4 for floor tom

Make sure your sound's low-end has that propulsive kick! The D4 really puts that extra oomph in your kick drum, bass amp, and other low instruments thanks to its flat, linear response. Since this kit comes with the D6, Audix's premier kick drum mic, a good application for the D4 with this kit would be the floor tom.

Samson MB1 Mini Boom Stand

The ideal low profile boom stand for miking drums, speakers and anything close to the floor.

  • Perfect for micing kick drums and speaker cabinets
  • Heavy-duty adjustable boom mic stand
  • Die-cast and steel construction
  • Mic clip included
SKU AUD-DP7-KIT02
MPN DP7

Features

Features

The DP5a, which is identical to the DP7 except for the condenser mics, is a perfect compliment of microphones for a 5 piece kit. All mics perform equally well whether it be on a live stage or in the studio.

Included in the DP5a drum mic package is the D6, Audix's flagship kick drum mic, two- D2's for rack toms, one D4 for floor tom, and the i5 for snare.

Also included are four D-Vice rim mount clips for every mic except the D6 kick drum mic, which comes with a heavy duty tension fit mic clip. Everything is conveniently packaged in a foam-lined aluminum carrying case road case for safe keeping when the mics are not in use.

  • All-in-one solution for miking drums
  • Instrument-specific mics for optimal results
  • Rugged Audix quality
  • Great for stage and studio
  • Dflex clips for easy positioning
  • Road case

Specs

Specifications
Audix D6
Type
Dynamic
Polar Pattern
Cardioid
Frequency Response
30Hz - 15kHz
Impedence
200 ohms
Sensitivity
@ 80Hz 0.8 mV/Pa
i5 for snare
Type
Dynamic
Polar Pattern
Cardioid
Frequency Response
50Hz - 16kHz
Impedence
150 ohms
Sensitivity
@1k 1.5 mV/Pa

Contents

Package Contents
  • (1) D6 for kick drum
  • (1) i5 for snare
  • (2) D2s for toms
  • (1) D4 for floor tom
  • (2) ADX51 condensers for overheads
  • (4) DVICE gooseneck clips
  • (1) Hard Carry Case
Bonus:
  • (5) 20' XLR (Male to Female) Cable
  • (1) Mini Boom Mic Stand

Warranty

Warranty Details Warranty Information
Product: Period:
Audix DP5a Drum Kit 1 Year
Samson MB1 Stand 3 Year

Reviews

Reviews
  1. Be the first to review this product

Write Your Own Review

Post a product review while logged into your store account for a chance at earning 100 Unique Reward points! (Pending Approval)

  1 star 2 stars 3 stars 4 stars 5 stars
Rating