PreSonus Studio Live 16.4.2 Mixer with QSC K12 PA Speakers and Cables

PreSonus Studio Live 16.4.2 Mixer with QSC K12 PA Speakers and Cables

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$2,999.00

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PreSonus's Studio Live 16.4.2 Mixer with QSC K12 PA Speakers and Cables is considered to be the most powerful sixteen-channel digital mixer currently available on the market. This mixer comes equipped with sixteen high headroom XMAX microphone preamplifiers, unlimited headroom 32-bit floating point digital mixing and effects processing, fast-acting LED meters, 100mm long throw faders, and much much more.
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Description PreSonus Studiolive 16.4.2 Description:
Loaded with Racks of Effects

StudioLive is loaded with everything needed for professional live sound production totaling 28 compressors, 28 limiters, 28 gates, 28 high pass filters, 2 stereo reverb/delay’s, 2 master stereo limiters and more, saving you loads of money and trips from the trailer during load in/out. All StudioLive digital effects are created and processed with 32-bit floating point precision for maximum sonic performance and enhanced musicality.

BEST IN BOTH WORLDS

StudioLive seamlessly integrates a professional digital mixer with a complete multi-channel recording system delivering the most creative environment available for both live performance and studio music production. Take your recording studio to the gig, and have your soundman record and even enhance your shows with the power of StudioLive.

Get creative in the studio. Record with or without Fat Channel or DSP effects processing. Create mixes, loops, sound effects and more, then bring them out to your show and mix them with the live performance. Process channels using your favorite plug-ins, and completely automate your entire show using your favorite music recording and production software. StudioLive completely revolutionizes music production opening endless creative possibilities.

Powerful and Easy Digital Mixing

StudioLive features an innovative and intuitive “QuickTouch” design allowing fast access to every parameter, mix, effect, and aux, allowing quick and creative control during music production. Load and save functions are also included to create snapshots of channel settings, save effect settings, totally recalling a mix, and more. All digital mixing and effects processing is done with 32-bit floating point precision for unmatched musicality.

Fat Channel

(EQ, Compressor, Limiter, Gate, on every channel) The heart of StudioLive is the “Fat Channel” engaged by pressing any “select” button, and features extensive equalization and dynamics available to every input channel, every aux output, every subgroup output, and main output. High pass filter, and four-band semi-parametric equalization algorithms are based on PreSonus’ custom-designed digital EyeQ™ equalizer, delivering extremely musical results. Also included in the Fat Channel are compressors, limiters and gates modeled after PreSonus’ award-winning ACP88 for complete dynamics control.

DSP Effects

Two programmable 32-bit stereo DSP effects engines are loaded in StudioLive with a wide range of reverbs, delays, and time-based effects with easy to use parameter adjustment, tap tempo, store, recall, and scene selection for ultimate creative flexibility.

Load and Save Your Settings

StudioLive allows you to save all of your digital settings for quick setup and recall. Save “scenes” (all settings) including fader levels with LED position matching, channel strips (Fat Channel), and individual DSP effects for ultimate ease, quickness and control.

Professional Sound Quality

StudioLive spares no expense when it comes to sound quality. All digital mixing is done with ultra high headroom 32-bit floating point processing for optimal sonic performance. Analog input and output is converted to digital audio with the highest-quality digital converters available delivering dynamic range of +118dB for spectacular sonic results and unmatched musicality.

Built-in 32x18 FireWire Recording

StudioLive includes PreSonus’ award-winning FireWire technology with JetPLL™ synchronization delivering 32 channels of recording and 18 channels of simultaneous playback. Each FireWire recording channel can be set to record either pre or post Fat-Channel signal processing giving total flexibility and power. StudioLive can also return 18 FireWire playback channels from your recording and production software for remixing and live performance with pre-recorded tracks, as well as studio mixing using the mixer’s internal signal processing and summing algorithms. StudioLive is compatible with Mac and Windows audio recording and production software including Logic, Nuendo, Cubase, Sonar, Digital Performer, Audition and more.

Integrated Multi-Track Recording Software- CAPTURE

StudioLive 16.4.2 also ships complete with CAPTURE multi-track recording software so you can effortlessly record your shows right out of the box. CAPTURE software was designed to interface with StudioLive 16.4.2 perfectly to allow instant setup and recording of performances. With the look and feel of industry standard digital multi-track hard disk recorders, CAPTURE software is instantly familiar to every musician and engineer. StudioLive HDR software gives you full editing capability as well as export to wav file formats for compatibility with ProTools, Cubase, Nuendo, Logic, Sonar and all other recording and music production software. Or you can play back your recorded tracks into StudioLive 16.4.2 via FireWire and mix your tracks with the mixing power and capabilities of StudioLive 16.4.2, then record the final mix back to CAPTURE! Now that’s power!

XMAX Class A Preamplifiers

StudioLive includes sixteen custom-designed high-voltage, discrete, XMAX Class A microphone preamplifiers for all types of microphones.The job of a microphone preamplifier is to boost microphone level signals to line level so that the signal can be converted from analog to digital. This mic to line boost is generally a preamplification of over 400 times the voltage of the original mic level signal. This preamplification stage is one of the most important stages that the signal will go through before converted to digital, and is why a high performance preamplifier is important to achieving great results.

All XMAX preamplifiers are built with the same three elements:

High Voltage

The XMAX preamplifier runs on power rails of 30V. Most off the shelf op amp based designs run on power rails of 10V to 18V. Higher voltage power rails deliver more headroom, deeper lows, smoother highs and an overall fuller sound.

Discrete

No op amps. Only transistors, resistors and capacitors. Op amps add noise, coloration and harshness to a signal. Discrete designs deliver ultra low noise and transparency.

Class A

When a circuit is running in Class A mode the circuit is always in an "on" state operating at its optimal voltage requirements. Class A mode has zero crossover distortion and delivers purer, clearer and more musical sonics than class A/B designs which are found in most op-amp circuits.

The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range and wide frequency range, and most importantly, musicality and transparency - smooth highs, solid deep lows, and everything in between.

QSC K-12 Description:

Combo XLR and 1/4" TRS inputs accept both Mic and Line Level input while a set of RCA phono inputs (except KSub) allow additional connectivity to portable MP3 players, CD players and line-level mixers. Up to three audio sources can be mixed internally and summed to a balanced output for "daisy-chaining" of multiple units. Separate direct outputs are also provided on each channel for additional output flexibility.

On-board switches provide preset EQ settings. The HF setting (fullrange models) can be set to VOCAL BOOST for additional presence in the critical mid-frequency area or FLAT for accurate reproduction of the incoming signal. The LF switch can be set to NORM, DEEP for additional bass extension, or EXT SUB (fullrange models) for use with an external subwoofer. The rear panel LED switch can be set to POWER, illuminating the front-mounted LED when the unit is powered on, OFF for applications where it is not desirable to illuminate the front LED, or LIMIT which indicates to the system operator that the clip limiter circuit has been engaged during operation.

Fullrange models are housed in rugged ABS enclosures with a professional appearance that is at home in any application. ABS is a far more robust material than conventional speaker plastics and offers an additional measure of sonic clarity due to its internal rigidity. Ergonomic aluminum handles and a highly protective steel grille complete the package for ease of transport and long term durability.

The K Series fullrange models feature a unique Tilt-Direct pole cup mounting system. A simple turn of the dial engages a 7.5 degree downward tilt of the speaker allowing acoustic energy to be kept on the audience and off reflective surfaces for applications where maximum coverage from a high-positioned speaker is desired. Integrated M10 suspension points allow for suspended applications with a K SERIES M10 KIT (sold separately) or Yoke bracket (sold separately).

Remote gain control capability is offered via a potentiometer (not included) connected to the on-board Euroblock connector. In an installed application, multiple K Series speakers can be "daisy-chained" for total gain control from a single remote pot. Auto-standby mode is engaged after 5 minutes of inactivity. Extensive DSP

DMT (Directivity Matched Transition) provides for matched LF and HF coverage across the entire listening area, eliminating unnatural "dead" or "hot" frequency zones. Intrinsic Correction, first featured in our high-end line-array products maps 65-75 spacially-averaged measurements to IIR and FIR filters that actively adjust time, frequency and amplitude response to a maximally flat bandpass target. The result is a speaker that behaves equally well across the entire sound field. DEEP and excursion limiting allow for extended low-frequency response by actively managing low-frequency transients without degradation of the underlying signal or adjacent frequencies. GuardRail protection, first introduced on our GX Series amplifiers protects both the amplifier module and your performance from unnatural and destructive clipping.

SKU PRE-STUDIOLIVE1642-KIT04
MPN STUDIOLIVE1642-KIT04
Features PreSonus Studiolive 16.4.2 Features:

The StudioLive™ 16.4.2 is the mixer for small to mid-sized churches, schools, bands, and clubs, as well as rack-based contractor installs, and it’s perfect for a project studio on a budget. It features 16 channel inputs with XMAX™ mic preamps, a built-in FireWire interface, extensive signal processing on every channel and bus, 6 aux buses, 4 subgroups, extensive metering, Scene and setting save/recall, and more. Yet it’s lightweight and rack-mountable, operates much like an analog console, and delivers superb audio quality. Chain two StudioLive 16.4.2s to form a 32-channel mega-console. Bundled VSL control software includes Smaart Measurement Technology™ with easy-to-use wizards!


  • 16 inputs, 6 auxiliary mixes, 4 subgroups
  • 16 class A XMAX microphone preamplifiers
  • Hi-Definition analog to digital converters (118dB dynamic range)
  • Unlimited headroom 32-bit floating point digital mixing and effects processing
  • Internal sample frequency 44.1kHz and 48kHz
  • 22x18 FireWire digital recording interface (24-bit / 44.1kHz and 48kHz)
  • Compact 19‚Äù rack-mountable rugged steel chassis
  • Fat Channel Select
  • - High Pass Filter - Compressor - Limiter - Gate - 4-band semi parametric EQ - Pan - Load/Save/Copy/Paste
  • 2 Master DSP Effects (reverbs, delays, time-based effect, with load/save)
  • Load/Save Mixer ‚ÄúScenes‚Äù ‚Äì all settings including fader levels with LED position matching
  • 100mm long throw faders
  • Military grade quick touch push buttons
  • Fast-acting LED meters
  • Talkback communication system
  • CAPTURE integrated live recording software included
  • Mac and Windows compatible
  • Direct recording interface compatible with Logic, Nuendo, Cubase, Sonar, Digital Performer and more
PreSonus Studiolive 16.4.2 Overview- PRESS PLAY
QSC K12 Features:

The QSC K Series is quite simply The New Standard in lightweight powered loudspeaker systems. Under the direction of Pat Quilter, QSC's team of amplifier engineers have created a new standard in Class D power modules unparalleled in the industry. Next, breaking from the traditional loudspeaker paradigm, every model is fitted with the identical 1.75" HF device (fullrange models) and woofers of the same high quality for unparalleled performance, regardless of speaker size.

Extensive DSP processing is employed throughout, providing levels of sonic clarity and total output that defy the system's size and weight.

Premium-grade materials, advanced construction processes and multiple mounting and suspension options allow for a wide range of live and installed applications.

  • Lightweight portable powered speakers with legendary QSC amplifier power and reliability
  • 1000 watt Class D power modules in all models
  • Extensive DSP enhances system performance
  • Attractive and professional appearance
  • Rugged ABS enclosures (K8, K10 and K12)
  • Tour-grade 18 gauge steel grilles
  • Ergonomic handles with comfortable, non-slip grip
  • 35 mm pole sockets with Tilt-Direct (fullrange models)
  • M10 rigging points for suspended installation (fullrange models)
  • K10 and K12 perform as main PA or stage monitors
Specifications
PreSonus Studiolive 16.4.2 Specifications:
Microphone Preamp 1-16 (XLR Balanced)
Talkback Microphone
Type: XLR Female, Balanced Frequency Response to Direct Output: 20 Hz to 40 kHz ±0.5dBu Frequency Response to Main Output: 20 Hz to 20 kHz ±0.5dBu Input Impedance (Balanced): 1 Ohm THD to Direct Output: < 0.005%, +4dBu, 20-20kHz, unity gain, unwtd THD to Main Output): <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd EIN to Direct Output: +125 dB unwtd,, +130 dB A-wtd S/N Ratio to Direct Output: -97 dB S/N Ratio to Main Output: -94 dB Common Mode Rejection Ratio: +65 dB Gain Control Range: -16 dB to +67 dB (+/- 1 dB) Maximum Input Level (unity gain): +16 dBu Phantom Power: +48 VDC
Line Inputs
Type: 1/4" TRS Female, balanced mono Frequency Response to Direct Outputs: 10-40 kHz, 0 / -0.5 dBu Frequency Response to Main Outputs: 20-20 kHz, +/- 0.5 dBu Input Impedance: 10 kΩ THD to Direct Output: <0.0007%, +4 dBu, 20-20 kHz, unity gain, unwtd THD to Main Output: <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd S/N Ratio to Direct Output: -105 dB S/N Ratio to Main Output: -94 dB Gain Control Range: -20 dB to +20 dB (+/- 1 dB) Maximum Input level (unity gain): +22 dBu
Tape Inputs
Type: 1/4” TRS Female, balanced mono Maximum Input Level: +22 dBu
Auxiliary Inputs
Type: 1/4” TRS Female, balanced (2 stereo pairs) Maximum Input Level: +22 dBu
Main Outputs
Type: Male, balanced (stereo pair); 1/4‚Äù TRS Female, balanced (stereo pair); XLR Male, balanced (mono) Rated Output Level: +24 dBu Output Impedance: 10 kΩ
Noise Gate / Expander
Threshold Range: -84 dB to 0 dB Attack Time: 0.5 ms Release Time: 0.05s to 2s Expander Attenuation Range: 2:1 Noise Gate Attenuation Range: ∞
Compressor
Threshold Range: -56 dB to 0 dBbr /> Ratio: 1:1 to 14:1br /> Attack Time: 0.2 ms to 150 msbr /> Release Time: 40 ms to 1000 msbr /> Auto Attack and Release: Attack = 10 ms, Release = 150 msbr /> Curve Types: hard and soft knee
EQ
Type: 2nd order shelving filter (Q = 0.55) Low (Lowpass or Bandpass): 36 to 465 Hz, ± 15 dB Low Mid: 90 Hz to 1.2 kHz, ±15 dB High Mid: 380 Hz to 5 kHz, ±15 dB High (Highpass or Bandpass): 1.4 kHz to 18 kHz, ±15 dB
Digital Audio
ADC Dynamic Range (A-wtd, 48 kHz): 118 dB DAC Dynamic Range (A-wtd, 48 kHz): 118 dB FireWire: S400, 400Mb/s Internal Processing: 32-bit, floating point Sampling Rate: 44.1, 48 kHz A/D/A Bit Depth: 24 Reference Level for 0 dBFS: -18 dBu
Clock
Jitter: <20 ps RMS (20 Hz - 20 kHz) Jitter Attenuation: >60 dB (1 ns in ≈ 1 ps out)
Power
Connector: IEC Input-Voltage Range: 90 to 240 VAC (factory-configured for country of destination) Power Requirements (continuous): 100 W
Physical
Length: 22.35 inches (568.06 mm) Width (chassis only): 17.22 inches (437.40 mm) Width (with rack ears): 19 inches (482.60 mm) Maximum Height: 6.90 inches (175.26 mm) Weight: 23 lbs.
QSC K12 Specifications:
Configuration
Multipurpose 2-way
Transducers
Low-frequency: 10" cone transducer High-frequency: 1.75" diaphragm compression driver
Frequency Response (-6 dB)
52 Hz - 18 kHz
Frequency Range (-10 dB)
48 Hz - 20 kHz
Nominal Coverage (-6 dB)
75° conical
Maximum SPL (1 meter)
131 dB peak
Amplifiers
Power Output
1000 W Class D (500 W LF, 500 W HF)
Input Impedance (ohms)
XLR / ¼": 40k balanced / 20k unbalanced XLR / ¼" MIC mode: 2260 balanced RCA: 10k
Controls
Power, Gain A, Gain B, Mic/Line, LF Mode (Ext Sub/Norm/DEEP), HF Mode (Flat/Vocal Boost), Front LED (On/Off/Limit)
Indicators
Power, Signal A, Signal B, Standby, Limit, Mic
Connectors
Balanced female XLR/¼" line/mic level input, Balanced female XLR/¼" line level input, Dual Balanced male XLR full range line level out , Balanced male XLR "mix" out, Stereo RCA line level input, Remote gain control, Locking IEC power connector
Cooling
On demand, 50 mm variable speed fan
Amplifier Protection
Thermal limiting, output overcurrent, overtemperature muting, GuardRail
Transducer Protection
Thermal limiting, excursion limiting
AC Power Input
Universal power supply 85 - 265 VAC, 50 - 60 Hz
AC Power Consumption (1/8 Power)
100 VAC, 2.3 A 120 VAC, 2.01 A 230 VAC, 1.13 A
Enclosure
Material
Impact resistant ABS
Finish
Black paint
Grille
Black powder coated 18 gauge steel
Dimensions (HWD)
23.7" x 14" x 14" 603 mm x 356 mm x 356 mm
Weight (Net)
41 lb / 18.6 kg
Available Accessories
K12 TOTE, K12 YOKE, K SERIES M10 KIT
Package Contents
  • (1) Studio Live 16.4.2 Mixer
  • (1) Capture Software DVD
  • (1) Rack Mount Brackets
  • (1) Firewire Cable
  • (1) AC Power Cable
  • [90-240volt US Plug]
  • (1) User Manual
Includes:
  • (2) K12 Speakers
  • (2) US Plug Power Cable
  • (2) [100-240V, 50/60Hz]
  • (1) Owners Manual
  • (2) XLR Cables
Warranty Details
Warranty Information
Product: Period:
PreSonus StudioLive 16.4.2 1 Year
QSC K12 6 Years
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Description

Description PreSonus Studiolive 16.4.2 Description:
Loaded with Racks of Effects

StudioLive is loaded with everything needed for professional live sound production totaling 28 compressors, 28 limiters, 28 gates, 28 high pass filters, 2 stereo reverb/delay’s, 2 master stereo limiters and more, saving you loads of money and trips from the trailer during load in/out. All StudioLive digital effects are created and processed with 32-bit floating point precision for maximum sonic performance and enhanced musicality.

BEST IN BOTH WORLDS

StudioLive seamlessly integrates a professional digital mixer with a complete multi-channel recording system delivering the most creative environment available for both live performance and studio music production. Take your recording studio to the gig, and have your soundman record and even enhance your shows with the power of StudioLive.

Get creative in the studio. Record with or without Fat Channel or DSP effects processing. Create mixes, loops, sound effects and more, then bring them out to your show and mix them with the live performance. Process channels using your favorite plug-ins, and completely automate your entire show using your favorite music recording and production software. StudioLive completely revolutionizes music production opening endless creative possibilities.

Powerful and Easy Digital Mixing

StudioLive features an innovative and intuitive “QuickTouch” design allowing fast access to every parameter, mix, effect, and aux, allowing quick and creative control during music production. Load and save functions are also included to create snapshots of channel settings, save effect settings, totally recalling a mix, and more. All digital mixing and effects processing is done with 32-bit floating point precision for unmatched musicality.

Fat Channel

(EQ, Compressor, Limiter, Gate, on every channel) The heart of StudioLive is the “Fat Channel” engaged by pressing any “select” button, and features extensive equalization and dynamics available to every input channel, every aux output, every subgroup output, and main output. High pass filter, and four-band semi-parametric equalization algorithms are based on PreSonus’ custom-designed digital EyeQ™ equalizer, delivering extremely musical results. Also included in the Fat Channel are compressors, limiters and gates modeled after PreSonus’ award-winning ACP88 for complete dynamics control.

DSP Effects

Two programmable 32-bit stereo DSP effects engines are loaded in StudioLive with a wide range of reverbs, delays, and time-based effects with easy to use parameter adjustment, tap tempo, store, recall, and scene selection for ultimate creative flexibility.

Load and Save Your Settings

StudioLive allows you to save all of your digital settings for quick setup and recall. Save “scenes” (all settings) including fader levels with LED position matching, channel strips (Fat Channel), and individual DSP effects for ultimate ease, quickness and control.

Professional Sound Quality

StudioLive spares no expense when it comes to sound quality. All digital mixing is done with ultra high headroom 32-bit floating point processing for optimal sonic performance. Analog input and output is converted to digital audio with the highest-quality digital converters available delivering dynamic range of +118dB for spectacular sonic results and unmatched musicality.

Built-in 32x18 FireWire Recording

StudioLive includes PreSonus’ award-winning FireWire technology with JetPLL™ synchronization delivering 32 channels of recording and 18 channels of simultaneous playback. Each FireWire recording channel can be set to record either pre or post Fat-Channel signal processing giving total flexibility and power. StudioLive can also return 18 FireWire playback channels from your recording and production software for remixing and live performance with pre-recorded tracks, as well as studio mixing using the mixer’s internal signal processing and summing algorithms. StudioLive is compatible with Mac and Windows audio recording and production software including Logic, Nuendo, Cubase, Sonar, Digital Performer, Audition and more.

Integrated Multi-Track Recording Software- CAPTURE

StudioLive 16.4.2 also ships complete with CAPTURE multi-track recording software so you can effortlessly record your shows right out of the box. CAPTURE software was designed to interface with StudioLive 16.4.2 perfectly to allow instant setup and recording of performances. With the look and feel of industry standard digital multi-track hard disk recorders, CAPTURE software is instantly familiar to every musician and engineer. StudioLive HDR software gives you full editing capability as well as export to wav file formats for compatibility with ProTools, Cubase, Nuendo, Logic, Sonar and all other recording and music production software. Or you can play back your recorded tracks into StudioLive 16.4.2 via FireWire and mix your tracks with the mixing power and capabilities of StudioLive 16.4.2, then record the final mix back to CAPTURE! Now that’s power!

XMAX Class A Preamplifiers

StudioLive includes sixteen custom-designed high-voltage, discrete, XMAX Class A microphone preamplifiers for all types of microphones.The job of a microphone preamplifier is to boost microphone level signals to line level so that the signal can be converted from analog to digital. This mic to line boost is generally a preamplification of over 400 times the voltage of the original mic level signal. This preamplification stage is one of the most important stages that the signal will go through before converted to digital, and is why a high performance preamplifier is important to achieving great results.

All XMAX preamplifiers are built with the same three elements:

High Voltage

The XMAX preamplifier runs on power rails of 30V. Most off the shelf op amp based designs run on power rails of 10V to 18V. Higher voltage power rails deliver more headroom, deeper lows, smoother highs and an overall fuller sound.

Discrete

No op amps. Only transistors, resistors and capacitors. Op amps add noise, coloration and harshness to a signal. Discrete designs deliver ultra low noise and transparency.

Class A

When a circuit is running in Class A mode the circuit is always in an "on" state operating at its optimal voltage requirements. Class A mode has zero crossover distortion and delivers purer, clearer and more musical sonics than class A/B designs which are found in most op-amp circuits.

The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range and wide frequency range, and most importantly, musicality and transparency - smooth highs, solid deep lows, and everything in between.

QSC K-12 Description:

Combo XLR and 1/4" TRS inputs accept both Mic and Line Level input while a set of RCA phono inputs (except KSub) allow additional connectivity to portable MP3 players, CD players and line-level mixers. Up to three audio sources can be mixed internally and summed to a balanced output for "daisy-chaining" of multiple units. Separate direct outputs are also provided on each channel for additional output flexibility.

On-board switches provide preset EQ settings. The HF setting (fullrange models) can be set to VOCAL BOOST for additional presence in the critical mid-frequency area or FLAT for accurate reproduction of the incoming signal. The LF switch can be set to NORM, DEEP for additional bass extension, or EXT SUB (fullrange models) for use with an external subwoofer. The rear panel LED switch can be set to POWER, illuminating the front-mounted LED when the unit is powered on, OFF for applications where it is not desirable to illuminate the front LED, or LIMIT which indicates to the system operator that the clip limiter circuit has been engaged during operation.

Fullrange models are housed in rugged ABS enclosures with a professional appearance that is at home in any application. ABS is a far more robust material than conventional speaker plastics and offers an additional measure of sonic clarity due to its internal rigidity. Ergonomic aluminum handles and a highly protective steel grille complete the package for ease of transport and long term durability.

The K Series fullrange models feature a unique Tilt-Direct pole cup mounting system. A simple turn of the dial engages a 7.5 degree downward tilt of the speaker allowing acoustic energy to be kept on the audience and off reflective surfaces for applications where maximum coverage from a high-positioned speaker is desired. Integrated M10 suspension points allow for suspended applications with a K SERIES M10 KIT (sold separately) or Yoke bracket (sold separately).

Remote gain control capability is offered via a potentiometer (not included) connected to the on-board Euroblock connector. In an installed application, multiple K Series speakers can be "daisy-chained" for total gain control from a single remote pot. Auto-standby mode is engaged after 5 minutes of inactivity. Extensive DSP

DMT (Directivity Matched Transition) provides for matched LF and HF coverage across the entire listening area, eliminating unnatural "dead" or "hot" frequency zones. Intrinsic Correction, first featured in our high-end line-array products maps 65-75 spacially-averaged measurements to IIR and FIR filters that actively adjust time, frequency and amplitude response to a maximally flat bandpass target. The result is a speaker that behaves equally well across the entire sound field. DEEP and excursion limiting allow for extended low-frequency response by actively managing low-frequency transients without degradation of the underlying signal or adjacent frequencies. GuardRail protection, first introduced on our GX Series amplifiers protects both the amplifier module and your performance from unnatural and destructive clipping.

SKU PRE-STUDIOLIVE1642-KIT04
MPN STUDIOLIVE1642-KIT04

Features

Features PreSonus Studiolive 16.4.2 Features:

The StudioLive™ 16.4.2 is the mixer for small to mid-sized churches, schools, bands, and clubs, as well as rack-based contractor installs, and it’s perfect for a project studio on a budget. It features 16 channel inputs with XMAX™ mic preamps, a built-in FireWire interface, extensive signal processing on every channel and bus, 6 aux buses, 4 subgroups, extensive metering, Scene and setting save/recall, and more. Yet it’s lightweight and rack-mountable, operates much like an analog console, and delivers superb audio quality. Chain two StudioLive 16.4.2s to form a 32-channel mega-console. Bundled VSL control software includes Smaart Measurement Technology™ with easy-to-use wizards!


  • 16 inputs, 6 auxiliary mixes, 4 subgroups
  • 16 class A XMAX microphone preamplifiers
  • Hi-Definition analog to digital converters (118dB dynamic range)
  • Unlimited headroom 32-bit floating point digital mixing and effects processing
  • Internal sample frequency 44.1kHz and 48kHz
  • 22x18 FireWire digital recording interface (24-bit / 44.1kHz and 48kHz)
  • Compact 19‚Äù rack-mountable rugged steel chassis
  • Fat Channel Select
  • - High Pass Filter - Compressor - Limiter - Gate - 4-band semi parametric EQ - Pan - Load/Save/Copy/Paste
  • 2 Master DSP Effects (reverbs, delays, time-based effect, with load/save)
  • Load/Save Mixer ‚ÄúScenes‚Äù ‚Äì all settings including fader levels with LED position matching
  • 100mm long throw faders
  • Military grade quick touch push buttons
  • Fast-acting LED meters
  • Talkback communication system
  • CAPTURE integrated live recording software included
  • Mac and Windows compatible
  • Direct recording interface compatible with Logic, Nuendo, Cubase, Sonar, Digital Performer and more
PreSonus Studiolive 16.4.2 Overview- PRESS PLAY
QSC K12 Features:

The QSC K Series is quite simply The New Standard in lightweight powered loudspeaker systems. Under the direction of Pat Quilter, QSC's team of amplifier engineers have created a new standard in Class D power modules unparalleled in the industry. Next, breaking from the traditional loudspeaker paradigm, every model is fitted with the identical 1.75" HF device (fullrange models) and woofers of the same high quality for unparalleled performance, regardless of speaker size.

Extensive DSP processing is employed throughout, providing levels of sonic clarity and total output that defy the system's size and weight.

Premium-grade materials, advanced construction processes and multiple mounting and suspension options allow for a wide range of live and installed applications.

  • Lightweight portable powered speakers with legendary QSC amplifier power and reliability
  • 1000 watt Class D power modules in all models
  • Extensive DSP enhances system performance
  • Attractive and professional appearance
  • Rugged ABS enclosures (K8, K10 and K12)
  • Tour-grade 18 gauge steel grilles
  • Ergonomic handles with comfortable, non-slip grip
  • 35 mm pole sockets with Tilt-Direct (fullrange models)
  • M10 rigging points for suspended installation (fullrange models)
  • K10 and K12 perform as main PA or stage monitors

Specs

Specifications
PreSonus Studiolive 16.4.2 Specifications:
Microphone Preamp 1-16 (XLR Balanced)
Talkback Microphone
Type: XLR Female, Balanced Frequency Response to Direct Output: 20 Hz to 40 kHz ±0.5dBu Frequency Response to Main Output: 20 Hz to 20 kHz ±0.5dBu Input Impedance (Balanced): 1 Ohm THD to Direct Output: < 0.005%, +4dBu, 20-20kHz, unity gain, unwtd THD to Main Output): <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd EIN to Direct Output: +125 dB unwtd,, +130 dB A-wtd S/N Ratio to Direct Output: -97 dB S/N Ratio to Main Output: -94 dB Common Mode Rejection Ratio: +65 dB Gain Control Range: -16 dB to +67 dB (+/- 1 dB) Maximum Input Level (unity gain): +16 dBu Phantom Power: +48 VDC
Line Inputs
Type: 1/4" TRS Female, balanced mono Frequency Response to Direct Outputs: 10-40 kHz, 0 / -0.5 dBu Frequency Response to Main Outputs: 20-20 kHz, +/- 0.5 dBu Input Impedance: 10 kΩ THD to Direct Output: <0.0007%, +4 dBu, 20-20 kHz, unity gain, unwtd THD to Main Output: <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd S/N Ratio to Direct Output: -105 dB S/N Ratio to Main Output: -94 dB Gain Control Range: -20 dB to +20 dB (+/- 1 dB) Maximum Input level (unity gain): +22 dBu
Tape Inputs
Type: 1/4” TRS Female, balanced mono Maximum Input Level: +22 dBu
Auxiliary Inputs
Type: 1/4” TRS Female, balanced (2 stereo pairs) Maximum Input Level: +22 dBu
Main Outputs
Type: Male, balanced (stereo pair); 1/4‚Äù TRS Female, balanced (stereo pair); XLR Male, balanced (mono) Rated Output Level: +24 dBu Output Impedance: 10 kΩ
Noise Gate / Expander
Threshold Range: -84 dB to 0 dB Attack Time: 0.5 ms Release Time: 0.05s to 2s Expander Attenuation Range: 2:1 Noise Gate Attenuation Range: ∞
Compressor
Threshold Range: -56 dB to 0 dBbr /> Ratio: 1:1 to 14:1br /> Attack Time: 0.2 ms to 150 msbr /> Release Time: 40 ms to 1000 msbr /> Auto Attack and Release: Attack = 10 ms, Release = 150 msbr /> Curve Types: hard and soft knee
EQ
Type: 2nd order shelving filter (Q = 0.55) Low (Lowpass or Bandpass): 36 to 465 Hz, ± 15 dB Low Mid: 90 Hz to 1.2 kHz, ±15 dB High Mid: 380 Hz to 5 kHz, ±15 dB High (Highpass or Bandpass): 1.4 kHz to 18 kHz, ±15 dB
Digital Audio
ADC Dynamic Range (A-wtd, 48 kHz): 118 dB DAC Dynamic Range (A-wtd, 48 kHz): 118 dB FireWire: S400, 400Mb/s Internal Processing: 32-bit, floating point Sampling Rate: 44.1, 48 kHz A/D/A Bit Depth: 24 Reference Level for 0 dBFS: -18 dBu
Clock
Jitter: <20 ps RMS (20 Hz - 20 kHz) Jitter Attenuation: >60 dB (1 ns in ≈ 1 ps out)
Power
Connector: IEC Input-Voltage Range: 90 to 240 VAC (factory-configured for country of destination) Power Requirements (continuous): 100 W
Physical
Length: 22.35 inches (568.06 mm) Width (chassis only): 17.22 inches (437.40 mm) Width (with rack ears): 19 inches (482.60 mm) Maximum Height: 6.90 inches (175.26 mm) Weight: 23 lbs.
QSC K12 Specifications:
Configuration
Multipurpose 2-way
Transducers
Low-frequency: 10" cone transducer High-frequency: 1.75" diaphragm compression driver
Frequency Response (-6 dB)
52 Hz - 18 kHz
Frequency Range (-10 dB)
48 Hz - 20 kHz
Nominal Coverage (-6 dB)
75° conical
Maximum SPL (1 meter)
131 dB peak
Amplifiers
Power Output
1000 W Class D (500 W LF, 500 W HF)
Input Impedance (ohms)
XLR / ¼": 40k balanced / 20k unbalanced XLR / ¼" MIC mode: 2260 balanced RCA: 10k
Controls
Power, Gain A, Gain B, Mic/Line, LF Mode (Ext Sub/Norm/DEEP), HF Mode (Flat/Vocal Boost), Front LED (On/Off/Limit)
Indicators
Power, Signal A, Signal B, Standby, Limit, Mic
Connectors
Balanced female XLR/¼" line/mic level input, Balanced female XLR/¼" line level input, Dual Balanced male XLR full range line level out , Balanced male XLR "mix" out, Stereo RCA line level input, Remote gain control, Locking IEC power connector
Cooling
On demand, 50 mm variable speed fan
Amplifier Protection
Thermal limiting, output overcurrent, overtemperature muting, GuardRail
Transducer Protection
Thermal limiting, excursion limiting
AC Power Input
Universal power supply 85 - 265 VAC, 50 - 60 Hz
AC Power Consumption (1/8 Power)
100 VAC, 2.3 A 120 VAC, 2.01 A 230 VAC, 1.13 A
Enclosure
Material
Impact resistant ABS
Finish
Black paint
Grille
Black powder coated 18 gauge steel
Dimensions (HWD)
23.7" x 14" x 14" 603 mm x 356 mm x 356 mm
Weight (Net)
41 lb / 18.6 kg
Available Accessories
K12 TOTE, K12 YOKE, K SERIES M10 KIT

Contents

Package Contents
  • (1) Studio Live 16.4.2 Mixer
  • (1) Capture Software DVD
  • (1) Rack Mount Brackets
  • (1) Firewire Cable
  • (1) AC Power Cable
  • [90-240volt US Plug]
  • (1) User Manual
Includes:
  • (2) K12 Speakers
  • (2) US Plug Power Cable
  • (2) [100-240V, 50/60Hz]
  • (1) Owners Manual
  • (2) XLR Cables

Warranty

Warranty Details
Warranty Information
Product: Period:
PreSonus StudioLive 16.4.2 1 Year
QSC K12 6 Years

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